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Don’t answer it. Ask what is behind it first. “Can you do it cheaper?” means four completely different things — a reflex, a real budget, a cheaper quote, or a haggle — and three of the four are not about your price at all. The one move that costs you money every time is dropping the number before you know which one you are holding.
Every operator has a version of this moment. The quote is out, the customer likes you, and then: “Is there anything you can do on the price?”
The instinct is to answer immediately, because silence feels like losing the job. That instinct is expensive, and it is worth seeing exactly how expensive before we get to what to say.
A discount does not come off your price. It comes off your profit, and it comes off all of it.
Take a job at $1,000 that costs you $600 to do. Your profit is $400. Knock 10% off — $100 — and your costs have not moved. You now make $300. You gave away a tenth of the price and a quarter of the profit.
To earn back what that one discount cost you, you have to sell more work:
Read the 30% row. A 15% discount means doing twice the work for the same money. Nobody agrees to that when it is put in those words, and yet it is what a nod in a driveway signs you up for.
This is the exact mirror of the table in how to raise your prices — small moves in price are enormous moves in profit, in both directions.
So before the number, one question: “Is the price more than you had in mind, or has another quote come in lower?”
It is friendly, it takes four seconds, and the answer tells you which of these you are dealing with.
When it is a reflex. Do not get defensive, because nothing is being attacked.
“That is the price for the work as it is written — it is what it takes to do it properly. I’d rather be straight with you now than find something in the middle of it. Shall I get you booked in?”
When there is a real budget. This is the useful one, and it is a scope conversation.
“I can’t do this job for that, but I can probably do a version of it. What if we did the front this year and left the side until spring? Tell me your number and I’ll tell you honestly what fits inside it.”
When there is a cheaper quote. Never rubbish it. Ask what is in it — the difference is almost always real.
“That’s a fair bit under mine, which usually means we have quoted two different jobs. Can I have a quick look at what theirs covers? If they are doing the same work for less, you should take it — but I want to be sure you are comparing the same thing.”
When it is a haggle. Once, kindly, and then stop.
“I price the same for everybody, so what I have quoted you is what I would quote my neighbour. I’d rather hold the price and do the job properly.”
If you do move, get something back. A discount with something attached is a trade. A discount with nothing attached is a permanent price cut you have not admitted to yet.
And say what it is: “I can do $1,750 instead of $1,900 if we drop the side path.” The word “if” is the whole sentence.
The discount conversation happens most often when the quote left room for doubt. A quote that shows what is included, what is excluded and what it is for gets challenged far less — there is nothing to negotiate against.
What a painting quote should actually say works this through in detail. It is written for painting and the structure holds everywhere.
You can only hold a price if you know what the job earns.
BizBaby keeps quotes, jobs and invoices together, so you can see what a job type actually makes before you decide whether $150 off is generous or reckless. Quotes go out the same day with the inclusions and exclusions written down and get approved online — and a clear quote gets argued with far less than a number in a text message.
Free for the first three months.
The discount table is derived here so you can check it: at contribution margin m, a discount of d leaves m − d per job, so the extra volume needed to stand still is d ÷ (m − d). The scripts are written for this trade; the negotiation principle behind them — never concede without a trade — is standard practice and not ours.